for the Interviews and Articles
Ardley, Neil. Music: An Illustrated Encyclopedia. Apollo Place, Lane Cove, NSW: Hodder and Stoughton, 1986.
Arnold, Denis, ed. The New Oxford Companion to Music. 2 vols. Oxford: Oxford U Press, 1983.
Backus, John. The Acoustical Foundations of Music: Musical Sound; its Properties, Production, Behavior, and Reproduction. 2nd ed. New York: W. W. Norton & Co., 1977.
Baines, Anthony, ed. Musical Instruments Through the Ages. Harmondsworth, Middlesex: Penguin Books, 1971.
- - - . The Oxford Companion to Musical Instruments. Oxford: Oxford U Press, 1992.
Bartlett, John. Familiar Quotations: a Collection of Passages, Phrases, and Proverbs traced to their Sources in Ancient and Modern Literature. 16th rev. and enl. ed. Canada: Little & Brown, 1992.
Beare, Charles. “Jew’s Harp.” The New Grove Dictionary of Musical Instruments. Vol. 2. London: Macmillan, 1984. 326-328.
Béhague, Gerard. Music in Latin America: An Introduction. Prentice-Hall History of Music Series. Englewood Cliffs, N.J.: Prentice-Hall, 1979.
Berliner, Paul F. The Soul of Mbira: Music and Tradition of the Shona People of Zimbabwe. Chicago: U of Chicago Press, 1981.
Blackburn, Philip. Harry Partch. Enclosure 3. Saint Paul, MN: American Composers Forum, 1997.
Blatter, Alfred. Instrumentation and Orchestration. 2nd ed. New York: Schirmer, 1997.
Broughton Simon, Mark Ellingham, David Muddyman, and Richard Trillo, eds. The Rough Guide to World Music. London: Rough Guides, 1995.
Chá, Ercilia Moreno. “Music in the Southern Cone: Chile, Argentina and Uruguay.” John M. Schechter, ed. Music in Latin American Culture: Regional Traditions. New York: Schirmer, 1999. 236-301.
Clarke, Donald, ed. The Penguin Encyclopedia of Popular Music. London: Penguin Books, 1990.
Clubs, Pubs, Taverns and Bars Australia, 1994-95. Canberra: Australian Bureau of Statistics, 1996, Cat. No. 8687.0.
Cohen, J. M. and M. J. The New Penguin Dictionary of Quotations. London: Viking, 1992.
Coldbeck, Julian. Keyfax 3: The Definite Guide to Buying Electronic Keyboards. London: Music Maker Books, 1988.
“Como lo van hallando: Tenemos una peña lirica [What Do You Think: We Have the Lyrical Group.” Trans. Andrian Pertout. Las Ultimas Noticias (22 Jul. 1970) 16.
Cope, David. New Directions in Music. 6th ed. Sydney: Mc Graw-Hill, 1993.
- - - . Techniques of the Contemporary Composer. New York: Schirmer, 1997.
Cowell, Henry. New Musical Resources. New York: Cambridge U Press, 1996.
Dallin, Leon. Techniques of Twentieth Century Composition: A Guide to the Materials of Modern Music. 3rd ed. Dubuque, Iowa: W. C. Brown Co., 1974.
Daniélou, Alain. Introduction to the Study of Musical Scales. London: India Society, 1943
Dournon, Geneviève. Instruments de Musique du Monde: Le Chant du Monde. Paris: Musée de l'Homme, 1990.
Earls, Paul. “Harry Partch.” The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed. 5th ed. Vol. 14. London: Macmillan, 1980. 252-253.
“Eh, mozo, me canta por favor: Bueno, porque soy Esloveno [Hey, Waiter, Sing For Me Please: Well, Why I am Slovenian].” Trans. Andrian Pertout, and Maritza Pertout. Las Ultimas Noticias: Diario Magazine de Santiago para todo Chile (20 Dec. 1965) 52.
Encyclopaedia Britannica. “Chile.” Encyclopaedia Britannica CD 99. Multimedia ed. CD-ROM. Chicago: Encyclopaedia Britannica, 1999.
Fairley, Jan. “Nueva Cancion: The Guitar is a Gun – The Song is a Bullet.” Simon Broughton, Mark Ellingham, David Muddyman, and Richard Trillo, eds. World Music: The Rough Guide. London: Rough Guides, 1994. 569-577.
Feld, Steven. “Aesthetic as Iconicity of Style (Uptown Title); or, (Downtown Title) ‘Lift-up-over Sounding’: Getting into the Kaluli Groove.” Yearbook for Traditional Music 20 (1988): 109-150.
- - - . “‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory.” Yearbook for Traditional Music 13 (1981): 227.
- - - . Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd ed. Philadelphia: U of Pennsylvania Press, 1990.
- - - . “Sound Structure as Social Structure.” Ethnomusicology 38.3 (1984): 383-409.
Fox, Leonard, sel., ed. and trans. The Jew's Harp: A Comprehensive Anthology. London: Bucknell U Press, 1988.
Grout, Donald Jay, and Claude V. Palisca. A History of Western Music. 5th ed. New York: W. W. Norton, 1996.
Henry, James L. “Possible Involvement of
Endorphins in Altered States of Consciousness.” Ethos: Journal of the
Society for Psychological Anthropology 10.4
(1982): 394-408.
Hitchcok, Wiley H., and Stanley Sadie, eds. The New Grove Dictionary of American Music. 4 vols. London: Macmillan, 1986.
Hobley, L. F. Tropical Forests of the World. London: Macmillan, 1984.
Holland, James. Percussion. London: Khan & Averill, 1978.
Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 2 vols. London: Macmillan, 1988.
Koch, Frederick. Reflections on Composing: Four American Composers. Pittsburgh, Pa.: Carnegie-Mellon U Press, 1983.
Marcuse, Sibyl. A Survey of Musical Instruments. London: Newton Abbot, 1975
Migration, Australia. Canberra: Australian Bureau of Statistics, 1999. Cat. No. 3412.0.Dearling, Robert, ed. The Ultimate Encyclopedia of Musical Instruments. London: Carlton, 1996.
Miller, Leta E., and Fredric Lieberman. Lou Harrison: Composing a World. New York: Oxford U Press, 1998.
Morris, Mark. The Pimlico Dictionary of Twentieth Century Composers. London: Pimlico, 1999.
Newman, Arnold. Tropical Rainforest: A World Survey of our Most Valuable and Endangered Habitat with a Blueprint for its Survival. New York Facts On Life, 1990.
Nichol, John. The Mighty Rainforest. London: David & Charles, 1990.
Odum, Eugene P. “Ecosystems.” The New Encyclopaedia Britannica: Macropaedia. 15th ed. Vol. 17. Chicago: Encyclopaedia Britannica, 1989. 979-983.
Olsen, Dale A. “Folk Music of South America – A Musical Mosaic.” Elizabeth May, ed. Musics of Many Cultures. California: U of California Press, 1980. 386-425.
Olson, Harry F. Music, Physics and Engineering. 2nd ed. New York: Dover, 1967.
Partch, Harry. Bitter Music: Collected Journals, Essays, Introductions, and Librettos. ThomasMc Geary ed. Urbana: U of Illinois Press, 1991.
- - - . Genesis of a Music: An Account of a Creative Work, its Roots and its Fulfillments. 2nd ed. New York: Da Capo Press, 1974.
Persichetti, Vincent. Twentieth-Century Harmony: Creative Aspects and Practice. New York: W. W. Norton & Co, 1961.
Randel, Don Michael, ed. The New Harvard Dictionary of Music. Cambridge, Mass.: Belknap Press of Harvard U Press, 1986.
Robertson, Donald. Rhythmic Introduction to Indian Music: Tabla. New York: Peer International, 1968.
Romanowski Patricia, and Holly George-Warren. The New Rolling Stone Encyclopedia of Rock & Roll. 2nd ed. New York: Fireside, 1995.
Roseman, Marina. Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine. Berkeley: U of California Press, 1993.
- - - . “Inversion and Conjecture: Male and Female Performance Among the Temiar of Peninsular Malaysia.” Women and Music in Cross-cultural Perspective. Ed. Ellen Koskoff. Urbana: U of Illinois Press, 1989. 131-149.
- - - . “The Social Structuring of Sound: The Temiar of Peninsular Malaysia.” Ethnomusicology 38.3 (1984): 411-445.
Rossing, Thomas D. The Science of Sound. 2nd ed. Reading, MA.: Addison-Wesley, 1990.
Rouget, Gilbert. Music and Trance: A Theory of the Relations Between Music and Possession. Chicago: U of Chicago Press, 1985.
Sadie, Stanley, ed. The New Grove Concise Dictionary of Music. London: Macmillan, 1994.
- - - . The New Grove Dictionary of Musical Instruments. 3 vols. London: Macmillan, 1984.
- - - . The New Grove Dictionary of Music and Musicians. 5th ed. 20 vols. London: Macmillan, 1980.
Saylor, Bruce. “Henry Cowell.” The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed. 5th ed. Vol. 5. London: Macmillan, 1980. 8-12.
Schieffelin, Edward L. The Sorrow of the Lonely and the Burning of the Dancers. St. Lucia, Qld.: U of Queensland Press, 1997.
Schmidt, Dr. Wilhelm Ludwig. “The Aura or Mouth-Harmonica.” The Jew's Harp: A Comprehensive Anthology. London: Bucknell U Press, 1988. 97-129.
Seeger, Anthony. “Sing for your Sister: The Structure and Performance of Suyá Akia.” Eds. Norma McLeod, and Marcia Herndon. The Ethnography of Musical Performance. Norwood: Norwood Editions, 1980. 269-304.
- - - . Why Suyá Sing: A musical anthropology of an Amazonian people. Cambridge: Cambridge U Press, 1987.
Slonimsky, Nicolas. Music of Latin America. New York: Thomas Y. Crowell, 1945.
Snaden, James N. “Brazil.” The Macmillan Family Encyclopedia. 5th ed. Vol.3. London: Macmillan, 1984. 459-464.
Sweeney, Philip. The Virgin Directory of World Music. London: Virgin, 1991.
Tanner, Paul, and Michael Gerow. A Study of Jazz. Dubuque, IA: William C. Brown, 1984.
Thorne, Tony, ed. Dictionary of Contemporary Slang. London: Bloomsbury, 1990.
Turnbull, Colin. “Liminality: A Synthesis of Subjective and Objective Experience.” Eds. Richard Schechner, and Willa Appel. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge: Cambridge U Press, 1990. 50-81
- - -. The Forest People. London: Pimlico, 1993.
- - -. The Mbuti Pygmies: Change and Adaptation. New York: Holt, Rinehart and Winston, 1983.
Virtue, Therese, ed. “Latin American Culture in Melbourne.” Tradition & Transition: Music of Four Communities. Pauline Meaney, comp. Melbourne: The Boîte, 1986. 33-45.
Wachtel, Paul Spencer, Justin Kenrick, and Theodore Macdonald Jr. “Forests and People.” Rainforests: The Illustrated Library of the Earth. Sydney: Reader’s Digest Press, 1993. 82-115.
Work in Selected Culture/Leisure Activities, Australia, March 1997. Canberra: Australian Bureau of Statistics, 1997, Cat. No. 6281.0.